Jennifer Mills / Australia b.1966 / What’s in a name? (detail, installation view) 2009–11 / Watercolour with pencil on paper / 325 sheets, installed dimensions variable / Purchased 2011 with funds from the Queensland Art Gallery Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Jennifer Mills / Photograph: Susannah Wimberley

Jennifer Mills
What’s in a name? 2009–2011

Not Currently on Display

There are many Jennifers in the world — even many Jennifer Mills. Here, the Australian artist Jennifer Mills gathers together 325 other women named Jennifer Mills from across the globe found through the internet. These Jennifer Mills have been transformed from their original internet images through this Jennifer Mills’s tender watercolour paintings, which are equally attentive and non-judgemental.

The phenomenon of trawling the internet to contact strangers has led to many unexpected consequences, such as finding one’s googleganger — an internet double. The artist notes the strange but dislocated intimacy of the internet: ‘The idea that in the mass of difference and differentiation you might have something in common with a stranger has a kind of dizziness about it.’

All the images of these various Jennifer Mills were posted online by themselves, or perhaps family or friends. Though they were once widely dispersed, they are now bought together in this one assembly. As writer Jennifer Mills notes: ‘These Jennifers have travelled through the hyperreality of the network, and come back home.’

Jennifer Mills is known for her whimsical re-imagining of farcical creatures and for her delicately rendered photographic portraits. She has consistently explored mixed-media approaches to drawing, spanning naturalist studies in watercolour and ink, interspersed with vibrant colour, patterning and naive interventions in oil pastel.

Mills’s recent work marks a shift in her practice — investigating the notion of transferable identity. By exploring methods of online representation, she considers broader ideas relating to the construction of the self and other.