Not Currently on Display
In The Horn of Africa 2006, a New Zealand fur seal balances a grand piano on its nose. Black and glossy, the work is rich with filmic and literary references, including Jane Mander’s 1920 novel The Story of a New Zealand River, with the motif of the piano representing the ‘civilising force’ of European settlement.
The Horn of Africa 2006 also refers to the complex historical, scientific and political events surrounding a war-torn stretch of contested African land believed to be the birthplace of humankind — a political hotbed, where conflicting claims of being ‘first’ loom large in the imagination.
Parekowhai’s work can also be read as a comment on the precariousness of nationhood, with the sculpture recalling the shape of New Zealand’s North and South Islands.
Michael Parekowhai is one of New Zealand’s most important contemporary artists, showing regularly in New Zealand and internationally in major exhibitions including the Asia Pacific Triennial of Contemporary Art (APT) in 1999 and 2006.
Parekowhai is known for his witty, larger-than-life sculptures, photographs and installations. Parekowhai was born in Porirua in 1968, of European (pākehā) and Māori (Ngāti Whakarongo) descent.
In 1990, he completed a Bachelor of Fine Arts at the University of Auckland’s Elam School of Fine Arts, and received a teaching diploma from the Auckland College of Education. He returned to Elam and in 2000 obtained a Master of Fine Arts.
His public artwork The World Turns 2011–12, a lifesized bronze sculpture of an elephant and native Australian kuril (water rat) is located near the riverfront at GOMA.