On Display: GOMA, Gallery 3.3
Cuisenaire (pronounced ‘kweezuhnair’) rods were invented by Belgian teacher Georges Cuisenaire. As a visual language, each rod colour and length represented a different unit of value. They were used in primary schools in Australia and New Zealand to teach children mathematics. In New Zealand, they are also used to teach Te Reo Māori (the Māori language).
In Home Front 2015, the Cuisenaire rods are used as building blocks to make 4-metre-high and 23-metre-long walls that divide the gallery space into thirds. Although Parekowhai has worked with Cuisenaire rods in the past, using their rich colours and rectilinear shapes to create sculptures and walls, this is the first time he has used them to create the feeling of a home interior.
Attached to one of the walls are two brightly coloured fibreglass rabbits, which belong to a different work, Two Drifters, Off to See the World 2011.
Michael Parekowhai is one of New Zealand’s most important contemporary artists, showing regularly in New Zealand and internationally in major exhibitions including the Asia Pacific Triennial of Contemporary Art (APT) in 1999 and 2006.
Parekowhai is known for his witty, larger-than-life sculptures, photographs and installations. Parekowhai was born in Porirua in 1968, of European (pākehā) and Māori (Ngāti Whakarongo) descent.
In 1990, he completed a Bachelor of Fine Arts at the University of Auckland’s Elam School of Fine Arts, and received a teaching diploma from the Auckland College of Education. He returned to Elam and in 2000 obtained a Master of Fine Arts.
His public artwork The World Turns 2011–12, a lifesized bronze sculpture of an elephant and native Australian kuril (water rat) is located near the riverfront at GOMA.