Zheng Guogu / China b.1970 / Grand Visionary Transformation of Hevajra 2016 / Oil on canvas / 197 x 134cm / The Kenneth and Yasuko Myer Collection of Contemporary Asian Art. Purchased 2017 with funds from Michael Sidney Myer through the Queensland Art Gallery | Gallery of Modern Art Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © Zheng Guogu

Zheng Guogu
Grand Visionary Transformation of Hevajra 2016

On Display: Regional Touring Exhibition

Grand Visionary Transformation of Hevajra depicts one of the enlightened beings of Tantric Buddhism in the unique style of digital-age thangka painting that Zheng Guogu has developed over the past half-decade. The painting is dominated by a six-armed Citta (mind) Hevajra, one of four forms of the enlightened being described in the tantras (the others being body, speech and heart). The deity stands in a dancing pose on a sun disc and lotus flower, embracing a consort, surrounded by a grand retinue of dakinis, enlightened figures of Tibetan Buddhism.

The ‘Visionary Transformation’ series is an attempt to extract the essence of what the artist describes as the ‘classic multimedia power’ of thangka — and its capacity to act on a spiritual and even physical level — as a model for organising colours and images corresponding to his studies of qi, the fundamental life force or energy flow of Chinese medicine and martial arts.

Zheng creates the distinct overlapping imagery of these paintings by combining several visual elements on a computer and then printing the composite image onto a canvas, where he overpaints with oils by hand. His striking colour scheme of hot pinks, electric greens and deep blacks recalls a colour photographic negative. All of these techniques were selected by the artist for the way in which their visual frequencies correspond to the rhythms of the body’s meridian system — the path through which qi flows — within traditional Chinese medicine. They are, however, products of their time — digital-age contrivances of image layering, hue and saturation organised on illuminated computer screens.

Zheng Guogu’s work has varied considerably since he emerged as a presence in Chinese art in the 1990s. Throughout his practice, however, Zheng has consistently focused on the relationship between images and individual consciousness. First known for his conceptual provocations inspired by China’s exploding consumer culture, Zheng Guogu uses painting as the medium through which he reflects on his immersive study of Chinese spirituality. Drawing on the visual language of traditional Buddhist thangka painting, he seeks out colour frequencies whose vibration is closely related to the workings of human arteries and veins. His paintings are an attempt to extract the essence of what the artist describes as the ‘classic multimedia power’ of thangka, using it as a template for the colours and images manifesting from his studies of energy.