Not Currently on Display
Dark tide, Bogangar represents a shift in William Robinson’s focus from the subject of rainforests to that of seascapes, prompted by his move in 1994 to Kingscliff, a small seaside town in northern New South Wales.
Here, Robinson depicts a power in nature that in his earlier works appears less daunting. The shifting perspective created by planes that recede, tilt and plunge, reinforces the feeling of a vastness impossible to express or experience from a single, fixed viewpoint.
The scene records the multiplicity of nature’s moods through an entire day, which unfolds across the painting from left to right. The composition is simple, yet its formal qualities are complex. Tilting heavily to the right, the horizon seems to react to the rhythm of the waves. Both sea and sky are experienced without the support of any land.
Robinson’s idiosyncratic technique of painting all-encompassing panoramas in tiny, mosaic-like brushstrokes conveys both the vastness and the minute detail of the universe, frequently giving us the sense of it soaring above our heads.1
1 See Michael Beckmann, ‘Breathing in and breathing out: Dark tide, Bogangar‘, in Darkness and Light: The Art of William Robinson, Queensland Art Gallery, Brisbane, 2001, pp.134–5.
William Robinson (b.1936) showed talent in both painting and music at a young age, and music continues to influence his practice. After studying art at Brisbane’s Central Technical College, Robinson began a long career as an arts educator in 1957. He was head of the painting department at the Brisbane College of Advanced Education (now the Queensland University of Technology) from 1982 until 1989.
In 1984, Robinson moved his family to a large farm at Beechmont in the mountainous Gold Coast hinterland, a region of immense natural beauty. The move gave rise to a new body of work, marking a personal breakthrough in his career and inspiring him to explore new artistic territory. He began to work on a much larger scale and painted panoramas of the sky, mountains, rainforests and water, exploring the landscape as a powerful, emotive force.