Takashi Murakami / Japan b.1962 / And then, and then and then and then and then 1994 / Synthetic polymer paint on canvas / Diptych: 280 x 150 x 7.5cm (each); 280 x 300 x 7.5cm (overall) / Purchased 1996. Queensland Art Gallery Foundation / Collection: Queensland Art Gallery | Gallery of Modern Art / © QAGOMA

Takashi Murakami
And then, and then and then and then and then 1994

Not Currently on Display

Takashi Murakami is best known for his appropriation of the iconography and methodology of manga and anime, including their means of production and distribution. His characters are produced by his studio in industrial quantities with minor variations. This work, which Murakami maintains was intended as an ironic self-portrait, marks one of the earliest appearances of Mr DOB, a slightly unhinged blend of the popular characters Sonic the Hedgehog and Doraemon that has appeared consistently in his work for the past two decades.

By conflating the refined discipline of a traditional technique with his Mickey Mouse-like creation, Mr DOB, Murakami establishes an intriguing juxtaposition that explores the changing Japanese aesthetic which now embraces a heavily Western influenced commodity culture and an emphasis on the ‘kawaii’ (cute), while still recognising the cultural value of tradition.

The painting also represents a stepping stone in the artist’s transition to commercial production. Wishing to emulate the made-to-order manufacturing techniques of American Minimalism, he outsourced its painting to a signwriter. On finding the finished product ‘too perfect’, Murakami set about hand-sanding the piece — a technique he borrowed from his training in nihonga or Japanese-style painting — making it unique within the artist’s substantial oeuvre. Murakami now regards it as his most representative work.

Born in 1962, Takashi Murakami belongs to the younger generation of contemporary artists from Japan. Murakami’s initial studies were conducted in ‘Nihonga’ or traditional Japanese-style painting before continuing his post-graduate studies.

His undergraduate studies in ‘Nihonga’ have continued to influence aspects of his current work and are reflected in Murakami’s careful detail to surface and the construction of the subject in his paintings. Murakami’s art practice incorporates a critique of contemporary Japanese culture, through one that is not explicit.