On Display: QAG, Gallery 10
In 1892, Tom Roberts set sail from Sydney, headed for far north Queensland. Roberts painted several portrait studies of Indigenous people during this trip, including Amehnam 1892, a man from the Wolya people of Port Darwin whom he met in Cooktown.
The Indigenous portraits Roberts painted show a sensitivity uncommon for the time. Amehnam is particularly relevant to another work in the Collection (Indigenous gathering, Far North Queensland) 1892, which is one of the few instances where Roberts depicted Indigenous people in the setting where he encountered them.
Tom Roberts was born in England in 1856. Following the death of his father, the family travelled to Melbourne in 1869 to live with relatives. Roberts worked as a photographer’s assistant, studying drawing and painting in the evenings. Returning to London in 1881, he studied at the Royal Academy of Arts.
In 1883, he toured Spain with Australian artist John Peter Russell. Here, he met artists Laureano Barrau and Ramon Casas, who introduced him to Impressionism and painting en plein air. Roberts also absorbed the progressive influences of French painter Jules Bastien-Lepage and American painter James Abbott McNeill Whistler. His experiences abroad, including his familiarisation with the French Barbizon School and Impressionism, greatly influenced his art.
Roberts pioneered plein-air painting in Australia when he returned in 1885. With Frederick McCubbin and Louis Abrahams, he founded the first of the artists’ camps at Box Hill, Victoria. These artists and others would become known as the Heidelberg School, the first truly Australian art movement.
In 1889, with Charles Conder and Arthur Streeton, Roberts organised the landmark ‘9 by 5 Impression Exhibition’, held at Buxton’s Rooms in Swanston Street, Melbourne. This popular exhibition was the first major exhibition of impressionist paintings in Australia.