We acknowledge the Traditional Owners of the land on which the Queensland Art Gallery | Gallery of Modern Art stands and recognise the creative contribution First Australians make to the art and culture of this country.
Not Currently on Display
Rasheed Araeen’s early works like Chaar Yaar I (four friends) 1968 were created from DIY products, such as balsa wood and house paint. Lacking exhibition opportunities, however, they were often documented and quickly deconstructed by the artist. Their focus on modularity and interactivity, together with their homemade ‘look’, distinguished them from the hard-edged, static minimalist sculptures of the time.
Araeen approached works of art not as finished objects, but as a collective process. He developed sculptures and proposals for modular structures that could undergo continual rearrangement in order to create multiple formal relationships.
Rasheed Araeen began making conceptual and abstract art in his hometown of Karachi in Pakistan in the late 1950s, before moving to London in 1964. Now regarded as a leading minimalist sculptor, Araeen is also an activist and a leading voice in challenging the dominant (Eurocentric) discourses of contemporary art.
Soon after his arrival in London, Araeen created some pioneering works of Minimalism, building on experiments he had developed in Karachi.
We acknowledge the Traditional Owners of the land on which the Queensland Art Gallery | Gallery of Modern Art stands and recognise the creative contribution First Australians make to the art and culture of this country.