Not Currently on Display
Woods III examines our connection with the landscape by reminding us of our experience of being amongst the trees in nature.
Shigeo Toya has created multiples of a simplified tree form, arranged in a grid like pattern, to recreate the atmosphere of a forest. His use of a chainsaw to roughly carve and splinter the wooden posts draws our attention to the place of trees in the cycle of life.
Shigeo Toya graduated from Aichi Prefectural University of Fine Arts in 1975. Artists of his generation immediately succeeded the important Japanese art movement known as Mono-ha (the school of things).
Mono ha rejected the prevailing conventions of Western style expressionism in painting and sculpture in favour of an unconditional acceptance of the world as it is. In turn, Toya rejected the strict literalism of his predecessors.
Toya’s rendering of the landscape and his personal links to it use technique and form to reference the strength and resilience of the natural world, as well as its inherent violence.