Not Currently on Display
Kapa haka is the Māori term for traditional performing arts, an expression of dance and song.
Through this sculpture, Parekowhai presents an ‘everyman’ who is recognisable as a staunch security guard, but unidentifiable as an individual. One of a series modelled on the artist’s own brother, it becomes a playful and incisive reference to performance in its many forms.
Motionless and imposing, Kapa haka (Whero) has his own role to play, and his presence might prompt us to consider ideas of showmanship, working life and cultural expression more broadly.
Michael Parekowhai is one of New Zealand’s most important contemporary artists, showing regularly in New Zealand and internationally in major exhibitions including the Asia Pacific Triennial of Contemporary Art (APT) in 1999 and 2006.
Parekowhai is known for his witty, larger-than-life sculptures, photographs and installations. Parekowhai was born in Porirua in 1968, of European (pākehā) and Māori (Ngāti Whakarongo) descent.
In 1990, he completed a Bachelor of Fine Arts at the University of Auckland’s Elam School of Fine Arts, and received a teaching diploma from the Auckland College of Education. He returned to Elam and in 2000 obtained a Master of Fine Arts.
His public artwork The World Turns 2011–12, a lifesized bronze sculpture of an elephant and native Australian kuril (water rat) is located near the riverfront at GOMA.